Born in Cape Town, South Africa, Igshaan Adams developed a practice rooted in the material culture of his environment. His work often incorporates traditional craft techniques, such as weaving and embroidery, to create complex, tactile surfaces that function as both sculptural objects and wall-based installations.

Adams's signature style involves the use of diverse materials including wire, beads, and fabric, which he arranges into patterns that evoke maps, prayer mats, or architectural floor plans. His practice is deeply informed by his upbringing in a Muslim community and his interest in the ways that physical spaces reflect social and religious identities.

The artist has gained significant international recognition for his contributions to major global exhibitions. His work was featured in the 59th Venice Biennale in 2022 and the 2023 São Paulo Biennial, cementing his position as a prominent figure in contemporary textile art.